• Listen to “Crush,” Track 4.1.

Track 4.1 – “Crush” Song

  • Sing along to the hook of “Crush,” using Track 4.2. The hook is similar to the chorus of a hip hop song. It is the part of the song that gets stuck in your memory.

Track 4.2 – “Crush” Hook

  • Read aloud lyrics from the song, and discuss how those lyrics communicate AJ’s message. Listen again to “Crush,” Track 4.1.
  • Watch a video of AJ explaining the inspiration behind the song “Crush” below.

“Crush”

You don’t even know!
You don’t even know!

Hook
What can make the city come out (out, out)
Tell em ‘bout us
What can make the city come out (out, out)
Tell em bout us  
Gotta show em what it’s ‘bout now – Crush!!!
Gotta show em hit the floor now – Crush!!!
Gotta show em what it’s ‘bout now – Crush!!!
Gotta show em hit the floor now – Crush!!

Everybody feel it when we march through the door
Band fired up, you can feel the uproar 
Good time, comin’ with a lot of energy 
Power of the music, Whole Pote got the remedy 
“Woooah” yeah get loud as a stadium
Ask what’s that? We ain’t came here to play with them 
Let em hear a scream now (woo woo), come on
Hands up, let me see you dance now, come on 
Match that, no for real, can you match
Give it to me now, gimme that bass
Where the tuba at? Gimme just a lil taste
Hey, hey, hey, spin around and work it out
Hey, hey, hey, whole parade comin’ out my mouth 
AlI I was taught: somehow make a way 
When the city up you can hear em, OK!

(Hook)

All the kids know, come and hear a new sound 
Break down, hold up we going to the ground 
And back up, ain’t nobody like us 
Slide to the left, let the trombone bust 
Spirit of the people put a smile on your face 
History, legacy, you cannot erase 
It’s game time and we ain’t never come to lose 
Celebrate the art why you lookin’ all confused?!
We outchea run and tell ya mama dem
Savannah got a rhythm, let it move all them 
Watch hip, back slip, flip it now
Georgia by the water Gullah Geechee learn now 
Everybody out there, tell me can you feel it?
Hip hop, all up inside can you feel it?
Make em jump, rock to the side get it in 
Clap it up and then we do it all again!!!!

(Hook)

Let’s do it, let’s let’s do it 
Come together now
Let’s do it
(x2)

It don’t matter where you from
It don’t matter where
(x4)

Crush Crush Crush Crush 
Crush Crush Crush Crush 

(Hook)

  • Show students SG 28 and use the page as the basis for a guided discussion about hip hop. Some of your students might already know about hip hop. This is an opportunity to share that knowledge while putting it in a broader context. Here are some examples of questions you might explore:

Graffiti: This is hip hop’s visual art form. Graffiti artists paint images with social messages in public spaces for people to see. Graffiti started in outdoors, public, off-limits spaces, especially on the sides of subway trains in New York City.

DJing: DJs make the beats, which are the core of hip hop music. They use turntables as instruments, “scratching” the vinyl records, and use digital equipment to change, loop, and layer sounds.

B-boying/B-girling: B-boys and b-girls are hip hop dancers; they’re sometimes called “breakers.” The “b” in b-boy and b-girl stands for “break.” In hip hop, DJs take instrumental breaks from songs and alter them by looping them and mixing them with beats; this is when b-boys and b-girls traditionally dance.

MCing: MC stands for Master of Ceremonies. The MC is the rapper. When MCs began rhyming messages and stories over breakbeats at parties, rap was born. MCing has many different roots, including Jamaican dancehall music, where a vocalist would rhyme over a DJ’s beat, spoken word poets who rhymed without any background music, and even West African storytellers telling stories over drum beats.

Knowledge: This is the abstract, all-encompassing element of hip hop that helps define the culture. Sometimes called “overstanding,” it is ultimately about knowing who you are and how you can bring that to the other four elements of hip hop. Iconic hip hop artist KRS-One says, “Rap is something you do. Hip hop is something you live.”

Many hip hop beats are made from samples of other songs, so knowing the history of hip hop and where the samples come from is important for any aspiring hip hop artist!

Remind students of the final element of hip hop: knowledge. This element can inspire artists to create and make hip hop music and moves of their own. 

  • Using SG 29, let’s learn some of the original moves of b-boys and b-girls.
  • Listen to “Crush,” Track 4.1, and practice the “top rock” step.
  • Either in small groups or as a class, create some of your own dance moves to go along with “Crush.”
  • Students can teach the new moves to each other and perform along to “Crush.”

Track 4.1 – “Crush” Song

Creative Extension: Create Your Own Graffiti Artwork

Graffiti has an important role in the culture of hip hop. Graffiti started as a highly stylized form of decorative writing that quickly expanded into broader styles of decorative arts. Although sometimes derided as vandalism, artists use graffiti to communicate messages that they feel are important for their communities to know. One of the original elements of hip hop, graffiti calls for social change just as hip-hop lyrics often do. Use SG 30 to create your own graffiti message.

Add b-boys/b-girls, graffiti, hook, and top rock to the Musical Word Wall.

See Glossary

Track 4.1 – “Crush” Song

Track 4.2 – “Crush” Hook