The origin of this song is unknown, but it has roots as a black spiritual and hymn. This song is often played by second line bands when they accompany funerals. This song is used to celebrate memories and the joys of life. Louis Armstrong, who was born in New Orleans, recorded “When the Saints Go Marching In,” in 1938. It is this version that popularized this song and put a spotlight on New Orleans jazz.

  • Listen to “When the Saints Go Marching In” Track 6.8.

Track 6.8 – “When the Saints Go Marching In” Song

  • Sing along to the chorus of using Track 6.9.

Track 6.9 – “When the Saints Go Marching In” Chorus

“When the Saints Go Marching In”

Oh, when the Saints go marching in,
Oh, when the Saints go marching in,
I want to be in that number,
When the Saints go marching in.
(x2)

  • Look at SG 42 or display for the class.
  • As a class or in small groups, invite students to make predictions about the sousaphone by visuals only.
  • Watch Victor demonstrate how to play the sousaphone below.
  • All instruments are welcome in a second line band, but there are some instruments that are traditionally heard. Using SG 43 look at the image of each second line instrument–the trumpet, snare drum, saxophone, and the sousaphone–while listening to instrument Tracks 6.10 – 6.13 and the sounds that they make. 

Track 6.10 – Trumpet Demo

Track 6.11 – Saxophone Demo

Track 6.12 – Sousaphone Demo

Track 6.13 – Snare Demo

  • Second line music offers many opportunities for the community and musicians to participate and be included in the performance. How the community responds to the music affects how the band plays. 
  • Using chorus Track 6.9, practice the call & response in “When the Saints Go Marching In.”

Track 6.9 – “When the Saints Go Marching In” Chorus

  • When the band is playing, individual instruments can take a solo, or play the melody, or main tune alone. Listen to the song again, Track 6.8, and raise your hand when you think you hear an instrument taking a solo.

Track 6.8 – “When the Saints Go Marching In” Song

  • All are welcome to join a second line parade
  • Visit savannahmusicfestival.org/musicalexplorers to watch some second line parades.
  • Using Track 6.8, invite students to march, move, and clap as they listen.
    • Refer back to the rhythm layers in lesson 1 to clap along.
    • Invite students to create a large move on “big beat 4.”
  • If available have students wave handkerchiefs, or tissue paper as they listen.

Creative Extension: Create a Second Line Parade

Traditionally second line parades were started as African-American celebrations that brought the community together. They also were used to celebrate the lives of important community members. As the second line brass band plays, the first line, or persons of honor, carry bright parasols and wave handkerchiefs as they dance. The mood is joyful and the idea is to inspire as many community members to join the parade, in any fashion that feels good–singing, playing an instrument, and dancing are all welcome.

Literacy Link: Trombone Shorty

Trombone Shorty by Troy Andrews and Bryan Collier is the autobiography of Troy “Trombone Shorty” Andrews, who earned his nickname by playing the trombone when he was still half the instrument’s size. Trombone Shorty is an insider’s perspective of the brass band tradition of New Orleans.

Add solo, second line instruments, and parade to the Musical Word Wall.

See Glossary

Track 6.8 – “When the Saints Go Marching In” Song

Track 6.9 – “When the Saints Go Marching In” Chorus

Track 6.10 – Trumpet Demo

Track 6.11 – Saxophone Demo

Track 6.12 – Sousaphone Demo

Track 6.13 – Snare Demo